What is your story?

Stories help you make sense of your life -- but when these narratives are incomplete or misleading, they can keep you stuck instead of providing clarity. How do you break free from the stories you've been telling yourself by becoming your own editor and rewriting your narrative from a different point of view?

Research shows that when we fail to make sense of our past, we find ourselves reliving and recreating it, essentially having old hurts re-emerge over and over again. When we carry around deep wounds, behaviours and beliefs about ourselves from our earliest attachments these unconsciously direct our lives.

So, in approaching retirement you might want to do some self-examination. One approach to self-examination is the “life story” approach. This helps you look backward to learn how the sum total of your past shaped you. If each life event is a star, our life story is the constellation. And if we spent all of our time looking at individual stars through a telescope lens, we couldn’t appreciate the magnitude and beauty of the constellations that dot the sky. To that end, the process of becoming, biographers of our lives is a profoundly powerful approach to better understand who we are, who we are becoming, and who we could be.

Think about your life as if it were a book. Divide that book into chapters that represent the key phases of your life. Within those phases, think of 5–10 specific scenes in your story — high points, low points, turning points, early mem­ories, important childhood events, important adulthood events or any other event you find self-defining. For each, provide an account that is at least one paragraph long:

·       What happened and when? Who was involved?

·       What were you and others thinking and feeling, and why was this event especially important for you?

·       What does this event say about who you are, how you have developed over time or who you might be­come?

·       When you are finished writing your account, take a step back and look at your life story as a whole:

·       What major themes, feelings, or lessons do you see in your story?

·       What does the story of your life say about the kind of person you are and might become?

·       What does your story say about your values, passions, aspirations, fit, patterns, reactions and impact on others?

When you look at the last point, you may find that there is an overarching theme (s) running through them. Identifying such themes can help make sense of seemingly contradictory aspects of ourselves.

Research shows that self-aware people tend to knit more complex narratives of their key life events: they are more likely to describe each event from different perspectives, include multiple explanations, and explore complex and even con­tradictory emotions. In many ways, this complexity is the opposite of the need for absolute truth; instead of searching for simple, generalizable facts, self-aware people appreciate the complicated nature of their life stories. Perhaps, for this reason, complex life stories are associated with continued personal growth and maturity years into the future.

When we’re able to find consistent themes across multiple important events of our lives, we can glean surprising self-insights. Common themes include achievement (i.e., personal success), relationships (i.e., forming and keeping connections with others), and growth (i.e., see­ing life as an opportunity to develop and improve). As a life long learner, I find the theme of redemption interesting. Whereas some people see a pattern of good things turning to bad ones, other people believe that bad things can turn to good.

So, when the time is right for you to write your life story, don’t look at it as a neat, clean Hollywood narrative. Embracing the complexity, the nuances and the contradictions will help you appreciate your inner reality in all its beautiful messiness.

5 Fact checking sites to use

Have you ever received a Facebook post or a Tweet from a well-meaning friend or relative that appears to be reasonable and true on a quick read and you send it on? I used to that but I try not to do it anymore.  There is so much fake information masquerading as the truth that we need to be careful about what we send out to our friends and family. The fake news is designed to hit our hot buttons, getting us to react with emotion and to take action. I have issues that I am passionate about as do most of us, and we do react when our hot buttons are pushed.

I am recommending that before you send on the news you have just received you take the time to check to see if it is true or fake. By doing so, you will save yourself from being embarrassed, when your friends tell you and everyone you have sent the news to that it is fake. Here are the top 5 fact-checking resources that will help you determine if the information you just received is true or false.

TOP 5 FACT-CHECKING RESOURCES

The search for factual information is endless in the digital age. Here are five fact-checking resources we rely on to help us tackle rumours and misinformation.

SNOPES

Snopes.com investigates all types of information online. including urban legends. myths and rumours.

POLITIFACT

PolitiFact uses the Truth-O-Meter to evaluate statements made by elected officials, political candidates. activists and more.

FACTCHECK.ORG

Factcheck.org seeks to combine aspects of both journalism and scholarship to provide accurate information to media consumers.

AMERICAN PRESS INSTITUTE

The American Press Institutes new project provides vetted resources for fact-checkers and journalists.

WASHINGTON POST FACT CHECKER

Journalist Glenn Kessler responds to questions from the public and rates statements on a scale one to four "Pinocchios."

The Rules of Disinformation and the US Election

I posted this in September 2013, but current events in the United States make me think I should re-post. The people of the United States have a very tough decision to make next Tuesday, and while the world watches, my hope is that people can see through the BS on both sides and sort out what the truth is for them.  

When you read, watch or listen to the election rhetoric, it may help to see how many of these techniques they use to see how each side suppress the truth.

Twenty-Five Ways To Suppress Truth:  The Rules of Disinformation

Note: The first ten rules are generally not directly within the ability of the traditional disinformation artist to apply. These rules are generally used more directly by those at the leadership, or the key players.

1. Hear no evil, see no evil, speak no evil. Regardless of what you know, don't discuss it -- especially if you are a public figure, news anchor, etc. If it's not reported, it didn't happen, and you never have to deal with the issues.

2. Become incredulous and indignant. Avoid discussing key issues and instead focus on side issues which can be used show the topic as being critical of some otherwise sacrosanct group or theme. This is also known as the 'How dare you!' gambit.

3. Ignore proof presented, demand impossible proofs. This is perhaps a variant of the 'play dumb' rule. Regardless of what material may be presented by an opponent in public forums, claim the material irrelevant and demand proof that is impossible for the opponent to come by (it may exist, but not be at his disposal, or it may be something which is known to be safely destroyed or withheld, such as a murder weapon.) In order to completely avoid discussing issues, it may be required that you to categorically deny and be critical of media or books as valid sources, deny that witnesses are acceptable, or even deny that statements made by government or other authorities have any meaning or relevance.

4. False evidence. Whenever possible, introduce new facts or clues designed and manufactured to conflict with opponent presentations -- as useful tools to neutralize sensitive issues or impede resolution. This works best when the crime was designed with contingencies for the purpose, and the facts cannot be easily separated from the fabrications.

5. Manufacture a new truth. Create your own expert(s), group(s), author(s), leader(s) or influence existing ones willing to forge new ground via scientific, investigative, or social research or testimony which concludes favorably. In this way, if you must actually address issues, you can do so authoritatively.

6. Create bigger distractions. If the above does not seem to be working to distract from sensitive issues, or to prevent unwanted media coverage of unstoppable events such as trials, create bigger news stories (or treat them as such) to distract the multitudes.

7. Silence critics. If the above methods do not prevail, consider removing opponents from circulation by some definitive solution so that the need to address issues is removed entirely. This can be by their death, arrest and detention, blackmail or destruction of their character by release of blackmail information, or merely by destroying them financially, emotionally, or severely damaging their health.

8. Vanish. If you are a key holder of secrets or otherwise overly illuminated and you think the heat is getting too hot, to avoid the issues, vacate the kitchen. .

9. Use a straw man. Find or create a seeming element of your opponent's  argument which you can easily knock down to make yourself look good and the opponent to look bad. Either make up an issue you may safely imply exists based on your interpretation of the opponent/opponent arguments/situation, or select the weakest aspect of the weakest charges. Amplify their significance and destroy them in a way which appears to debunk all the charges, real and fabricated alike, while actually avoiding discussion of the real issues.

10. Question motives. Twist or amplify any fact which could be taken to imply that the opponent operates out of a hidden personal agenda or other bias. This avoids discussing issues and forces the accuser on the defensive.

11. Create rumor mongers. Avoid discussing issues by describing all charges, regardless of venue or evidence, as mere rumors and wild accusations. Other derogatory terms mutually exclusive of truth may work as well. This method which works especially well with a silent press, because the only way the public can learn of the facts are through such 'arguable rumors'. If you can associate the material with the Internet, use this fact to certify it a 'wild rumor' from a 'bunch of kids on the Internet' which can have no basis in fact.

12. Call a Grand Jury, Special Prosecutor, or other empowered investigative body. Subvert the (process) to your benefit and effectively neutralize all sensitive issues without open discussion. Once convened, the evidence and testimony are required to be secret when properly handled. For instance, if you own the prosecuting attorney, it can insure a Grand Jury hears no useful evidence and that the evidence is sealed and unavailable to subsequent investigators. Once a favorable verdict is achieved, the matter can be considered officially closed. Usually, this technique is applied to find the guilty innocent, but it can also be used to obtain charges when seeking to frame a victim.

13. Sidetrack opponents with name calling and ridicule. This is also known as the primary 'attack the messenger’. Associate opponents with unpopular titles such as 'kooks', 'right-wing', 'liberal', 'left-wing', 'terrorists', 'conspiracy buffs', 'radicals', 'militia', 'racists', 'religious fanatics', 'sexual deviates', and so forth. This makes others shrink from support out of fear of gaining the same label, and you avoid dealing with issues.

14. Hit and Run. In any public forum, make a brief attack of your opponent or the opponent position and then scamper off before an answer can be fielded, or simply ignore any answer. This works extremely well in Internet and letters-to-the-editor environments where a steady stream of new identities can be called upon without having to explain criticism, reasoning -- simply make an accusation or other attack, never discussing issues, and never answering any subsequent response, for that would dignify the opponent's viewpoint.

15. Invoke authority. Claim for yourself or associate yourself with authority and present your argument with enough 'jargon' and 'minutia' to illustrate you are 'one who knows', and simply say it isn't so without discussing issues or demonstrating concretely why or citing sources.

16. Play Dumb. No matter what evidence or logical argument is offered, avoid discussing issues except with denials they have any credibility, make any sense, provide any proof, contain or make a point, have logic, or support a conclusion. Mix well for maximum effect.

17. Associate opponent charges with old news. A derivative of the straw man -- usually, in any large-scale matter of high visibility, someone will make charges early on which can be or were already easily dealt with - a kind of investment for the future should the matter not be so easily contained.) Where it can be foreseen, have your own side raise a straw man issue and have it dealt with early on as part of the initial contingency plans. Subsequent charges, regardless of validity or new ground uncovered, can usually then be associated with the original charge and dismissed as simply being a rehash without need to address current issues -- so much the better where the opponent is or was involved with the original source.

18. Establish and rely upon fall-back positions. Using a minor matter or element of the facts, take the 'high road' and 'confess' with candor that some innocent mistake, in hindsight, was made -- but that opponents have seized on the opportunity to blow it all out of proportion and imply greater criminalities which, 'just isn't so.' Others can reinforce this on your behalf, later, and even publicly 'call for an end to the nonsense' because you have already 'done the right thing.' Done properly, this can garner sympathy and respect for 'coming clean' and 'owning up' to your mistakes without addressing more serious issues.

19. Enigmas have no solution. Drawing upon the overall umbrella of events surrounding the crime and the multitude of players and events, paint the entire affair as too complex to solve. This causes those otherwise following the matter to begin to lose interest more quickly without having to address the actual issues.

20. Alice in Wonderland Logic. Avoid discussion of the issues by reasoning backwards or with an apparent deductive logic which forbears any actual material fact.

21. Demand complete solutions. Avoid the issues by requiring opponents to solve the crime at hand completely, a ploy which works best with issues qualifying for rule 10.

22. Fit the facts to alternate conclusions. This requires creative thinking unless the crime was planned with contingency conclusions in place.

23. Vanish evidence and witnesses. If it does not exist, it is not fact, and you won't have to address the issue.

24. Change the subject. Usually in connection with one of the other ploys listed here, find a way to side-track the discussion with abrasive or controversial comments in hopes of turning attention to a new, more manageable topic. This works especially well with companions who can 'argue' with you over the new topic and polarize the discussion arena in order to avoid discussing more key issues.

25. Emotionalize, Antagonize, and Goad Opponents. If you can't do anything else, chide and taunt your opponents and draw them into emotional responses which will tend to make them look foolish and overly motivated, and generally render their material somewhat less coherent. Not only will you avoid discussing the issues in the first instance, but even if their emotional response addresses the issue, you can further avoid the issues by then focusing on how 'sensitive they are to criticism.'

Note: There are other ways to attack truth, but these listed are the most common, and others are likely derivatives of these.

The above was built upon Thirteen Techniques for Truth Suppression by David Martin, and written by H. Michael Sweeney the above may be useful to the initiate in the world of dealing with veiled and half-truth, lies, and suppression of truth in public forums. This, sadly, includes every day news media, one of the worst offenders with respect to being a source of disinformation. 

Twenty-Five Ways To Suppress Truth: The Rules of Disinformation

I first posted this in 2011, but the events in Syria makes me think I should re-post this article. The US President is set to provide the American people and the world his views on why we should take action in Syria at this time. When you listen to his Speech, see how many of these techniques he uses

Twenty-Five Ways To Suppress Truth:   The Rules of Disinformation  (Includes The 8 Traits of A Disinformationalist)  by H. Michael Sweeney copyright (c) 1997, 2000 All rights reserved
 (Revised April 2000)

 Permission to reprint/distribute hereby  granted for any non commercial use  provided information reproduced in its entirety and with author information in tact. For more Intel/Shadow government related info, visit the Author's Web site

Twenty-Five Rules of Disinformation

Built upon Thirteen Techniques for Truth  Suppression by David Martin, the following may be useful to the initiate  in the world of dealing with veiled and half-truth, lies, and suppression of truth when serious crimes are studied in public forums. This, sadly, includes every day news media, one of the worst offenders with respect to being a source of disinformation. Where the crime involves a conspiracy, or a conspiracy to cover up the crime, there will invariably be a disinformation campaign launched against  those seeking to uncover and expose the truth and/or the conspiracy. There are specific tactics which disinfo artists tend to apply, as revealed here. Also included with this material are seven common traits of the disinfo artist which may also prove useful in identifying players and motives.

 The more a particular party fits the traits and is guilty of following the rules, the more likely they are a professional disinfo artist with a vested motive. People can be bought, threatened, or blackmailed into providing disinformation, so even "good guys" can be suspect in many cases.

 A rational person participating as one interested in the truth will evaluate that chain of evidence and conclude either that the links are solid and conclusive, that  one or more links are weak and need further development before conclusion can be arrived at, or that one or more links can be broken, usually invalidating (but not necessarily so, if parallel links already exist or can be found, or if a particular link was merely supportive, but not in itself key to) the argument. The game is played by raising issues which either strengthen or weaken (preferably to the point  of breaking) these links. It is the job of a disinfo artist to interfere with these evaluations... to at least make people think the links are weak or broken when, in truth, they are not... or to propose alternative solutions leading away from the truth. Often, by simply impeding and slowing down the process through disinformation tactics, a level of victory  is assured because apathy increases with time and rhetoric.

It would seem true in almost every instance, that if one cannot break the chain of evidence for a given solution, revelation of truth has won out. If the chain is broken either a new link must be forged, or a whole new chain developed, or the solution is invalid and a new one must be found... but truth still wins out. There is no shame in being the creator or supporter of a failed solution, chain, or link, if done with honesty in search of the truth. This is the rational approach. While it is understandable that a person can become emotionally involved with a particular side of a given issue, it is  really unimportant who wins, as long as truth wins. But the disinfo artist will seek to emotionalize and chastise any failure (real or false claims thereof), and will seek by means of intimidation to prevent discussion  in general.

It is the disinfo artist and those who may pull their strings (those who stand to suffer should the crime be solved) MUST seek to prevent  rational and complete examination of any chain ofevidence which would hang them. Since fact and truth seldom fall on their own, they must be overcome with lies and deceit. Those who are professional in the art of lies and deceit, such as the intelligence community and the professional criminal (often the same people or at least working together), tend to apply fairly well defined and observable tools in this process.However, the public at large is not well armed against such weapons, and is often easily ledastray by these time-proven tactics. Remarkably, not even media and law enforcement have

NOT BEEN TRAINED to deal with these issues. For the most part, only the players themselves understand the rules of the game.

For such disinformationalists, the overall aim is to avoid discussing links in the chain of evidence which cannot be broken by truth, but at all times, to use clever deceptions or lies to make select links seem weaker than they are, create the illusion of a break, or better still, cause any who are considering the chain to be distracted in any number of ways, including the method of questioning the credentials of the presenter. Please understand that fact is fact, regardless of the source. Likewise, truth is truth, regardless of the source. This is why criminals are allowed to testify against other criminals. Where a motive to lie may truly exist, only actual evidence that the testimony itself  IS a lie renders it completely invalid. Were a known 'liar's' testimony to stand on its own without supporting fact, it might certainly be of questionable value, but if the testimony (argument) is based on verifiable or otherwise demonstrable facts, it matters not who does the presenting or what their motives are, or if they have lied in the past or even if motivated to lie in this instance -- the facts or links would and should stand or fall on their own merit and their part in the matter will merely be supportive.

Moreover, particularly with respects to public forums such as newspaper letters to the editor, and Internet chat and news groups, the disinfo type has a very important role. In these forums, the principle topics of discussion are generally attempts by individuals to cause other persons to become interested in their own particular position, idea, or solution -- very much in development at the time. People often use such mediums as a sounding board and in hopes of pollination to better form their ideas. Where such ideas are critical of government or powerful, vested groups (especially if their criminality is the topic), the disinfo artist has yet another role -- the role of nipping it in the bud. They also seek to stage the concept, the presenter, and any supporters as less than credible should any possible future confrontation in more public forums result due to their early successes. You can often spot the disinfo types at work here by the unique application of "higher standards" of discussion than necessarily warranted. They will demand that those presenting arguments or concepts back everything up with the same level of expertise as a professor, researcher, or investigative writer. Anything less renders anydiscussion meaningless and unworthy in their opinion, and anyone who disagrees is obviously stupid -- and they generally put it in exactly those terms.

So, as you read any such discussions, particularly so in Internet news groups (NG), decide for yourself when a rational argument is being applied and when disinformation, psyops (psychological warfare operations) or trickery is the tool. Accuse those guilty of the latter freely. They (both those deliberately seeking to lead you astray, and those who are simply foolish or misguided thinkers) generally run  for cover when thus illuminated, or -- put in other terms, they put up or shut up (a perfectly acceptable outcome either way, since truth is the goal.) Here are the twenty-five methods and seven traits, some of which don't apply directly to NG application. Each contains a simple example in the form of actual (some paraphrased for simplicity) from NG comments on commonly known historical events, and a proper response.[examples & response- http://www.proparanoid.net/enter.htm

The original site was hijacked and continues to be attacked. Mr. Sweeny believes that when Government can't supress truth, it looks like they just steal it. When a Web site is hijacked,
everyone looses.

Accusations should not be overused -- reserve for repeat offenders and those who use multiple tactics. Responses should avoid falling into emotional traps or informational sidetracks, unless it is feared that some observers will be easily dissuaded by the trickery. Consider quoting the complete rule rather than simply citing it, as others will not have reference. Offer to provide a complete copy of the rule set upon request   (see permissions statement at end):

Twenty-Five Rules of Disinformation
Note: The first rule and last five (or six, depending on situation) rules are generally not directly within the ability of the traditional disinfo artist to apply. These rules are generally used more directly by those at the leadership, key players, or planning level of the criminal conspiracy or conspiracy to cover up.

1. Hear no evil, see no evil, speak no evil.  Regardless of what you know, don't discuss it -- especially if you are a public figure, news anchor,  etc. If it's not reported, it didn't happen,  and you never have to deal with the issues.
2. Become incredulous and indignant.  Avoid discussing key issues and instead focus  on side issues which can be used show the topic  as being critical of some otherwise sacrosanct group or theme. This is also known as the  'How dare you!' gambit.
3. Create rumor mongers.  Avoid discussing issues by describing all charges, regardless of venue or evidence, as mere rumors and wild accusations. Other derogatory terms mutually exclusive of truth may work as well. This method which works especially well with a silent press, because the only way the public  can learn of the facts are through such 'arguable rumors'. If you can associate the material with the Internet, use this fact to certify it a 'wild rumor' from a 'bunch of kids on the Internet' which can have no basis in fact.
4. Use a straw man. Find or create a seeming element of your opponent's   argument which you can easily knock down to make  yourself look good and the opponent to look bad. Either make up an issue you may safely imply exists based on your interpretation of the opponent/opponent arguments/situation, or select the weakest aspect of the weakest charges.  Amplify their significance and destroy them in a way which appears to debunk all the charges, real and fabricated alike, while actually avoiding discussion of the real issues.
5. Sidetrack opponents with name calling and ridicule.  This is also known as the primary 'attack the messenger'  ploy, though other methods qualify as variants of that approach. Associate opponents with unpopular titles such as 'kooks', 'right-wing', 'liberal', 'left-wing', 'terrorists', 'conspiracy buffs',  'radicals', 'militia', 'racists', 'religious fanatics',  'sexual deviates', and so forth. This makes others  shrink from support out of fear of gaining the same label, and you avoid dealing with issues.
6. Hit and Run. In any public forum, make a brief attack of your opponent or the opponent position and then scamper off before an answer can be fielded, or simply ignore any answer. This works extremely well in Internet  and letters-to-the-editor environments where a steady stream of new identities can be called upon without having to explain criticism, reasoning -- simply make an accusation or other  attack, never discussing issues, and never answering any subsequent response, for that would dignify the opponent's viewpoint.
7. Question motives. Twist or amplify any fact which could be taken to imply that the opponent operates out of a hidden personal  agenda or other bias. This avoids discussing issues and forces the accuser on the defensive.
8. Invoke authority. Claim for yourself or associate yourself with authority and present your argument with enough 'jargon' and 'minutia' to illustrate you are 'one who knows', and simply say it isn't so without discussing issues or demonstrating concretely why or citing sources.
9. Play Dumb. No matter what evidence or logical argument is offered, avoid discussing issues except with denials they have any credibility, make any sense, provide any proof, contain or make a point, have logic, or support a conclusion. Mix well for maximum effect.
10. Associate opponent charges with old news. A derivative of the straw man -- usually, in any large-scale matter of high visibility, someone will make charges early on which can be or were already easily dealt with - a kind of investment for the future should the matter not be so easily contained.) Where it can be foreseen, have your own side raise a straw man issue and have it dealt with early on as part of the initial contingency plans. Subsequent charges, regardless of validity or new ground uncovered, can usually then be associated with the original charge and dismissed as simply being a rehash without need to address current issues -- so much the better where the opponent  is or was involved with the original source.
11. Establish and rely upon fall-back positions.  Using a minor matter or element of the facts, take the 'high road' and 'confess' with candor that some innocent mistake, in hindsight, was made -- but that opponents have seized on the opportunity to blow it all out of proportion and imply greater criminalities which, 'just isn't so.' Others can reinforce this on your behalf, later, and even publicly 'call for an end to the nonsense' because you have already 'done the right thing.' Done properly, this can garner sympathy and respect for 'coming clean' and 'owning up' to your mistakes without addressing more serious issues.
12. Enigmas have no solution.  Drawing upon the overall umbrella of events surrounding the crime and the multitude of players and events, paint the entire affair as too complex to solve. This causes those otherwise following the matter to begin to lose interest more quickly without having to address the actual issues.
13. Alice in Wonderland Logic. Avoid discussion of the issues by reasoning backwards or with an apparent deductive logic
which forbears any actual material fact.
14. Demand complete solutions. Avoid the issues by requiring opponents to solve the crime at hand completely, a ploy which works best with issues qualifying for rule 10.
15. Fit the facts to alternate conclusions.  This requires creative thinking unless the crime  was planned with contingency conclusions in place.
16. Vanish evidence and witnesses.  If it does not exist, it is not fact, and you won't have to address the issue.
17. Change the subject. Usually in connection with one of the other ploys  listed here, find a way to side-track the discussion with abrasive or controversial comments in hopes of turning attention to a new, more manageable topic. This works especially well with companions who can  'argue' with you over the new topic and polarize the discussion arena in order to avoid discussing more key issues.
18. Emotionalize, Antagonize, and Goad Opponents. If you can't do anything else, chide and taunt your opponents and draw them into emotional responses which will tend to make them look foolish and overly motivated, and generally render their material somewhat less coherent. Not only will you avoid discussing the issues in the first instance, but even if their emotional response addresses the issue, you can further avoid the issues by then focusing on how 'sensitive they are to criticism.'
19. Ignore proof presented, demand impossible proofs. This is perhaps a variant of the 'play dumb' rule.  Regardless of what material may be presented by an opponent in public forums, claim the material irrelevant  and demand proof that is impossible for the opponent to come by (it may exist, but not be at his disposal, or it may be something which is known to be safely destroyed or withheld, such as a murder weapon.) In order to completely avoid discussing issues, it may be required that you to categorically deny and be critical of media or books as valid sources, deny that witnesses are acceptable, or even deny that statements made by government or other authorities have any meaning or relevance.
20. False evidence. Whenever possible, introduce new facts or clues designed and manufactured to conflict with opponent presentations -- as useful tools to neutralize sensitive issues or impede resolution. This works best when the crime was designed
with contingencies for the purpose, and the facts cannot be easily separated from the fabrications.
21. Call a Grand Jury, Special Prosecutor, or other  empowered investigative body. Subvert the (process) to your benefit and effectively neutralize all sensitive issues without open discussion. Once convened, the evidence and testimony are required to be secret when properly handled. For instance, if you own the prosecuting attorney, it can insure a Grand Jury hears no useful evidence and that the evidence is sealed and unavailable to subsequent investigators. Once a favorable verdict is achieved, the matter can be considered officially closed. Usually, this technique is applied to find the guilty innocent, but it can also be used to obtain charges when seeking to frame a victim.
22. Manufacture a new truth. Create your own expert(s), group(s), author(s), leader(s) or influence existing ones willing to forge new ground via scientific, investigative, or social research or testimony which concludes favorably. In this way, if you must actually address issues, you can do so authoritatively.
23. Create bigger distractions. If the above does not seem to be working to distract from sensitive issues, or to prevent unwanted media coverage of unstoppable  events such as trials, create bigger news stories (or treat them as such) to distract the multitudes.
24. Silence critics. If the above methods do not prevail, consider removing opponents from circulation by some definitive solution so that the need to address issues is removed entirely. This can be by their death, arrest and detention, blackmail or destruction of theircharacter by release of blackmail information, or merely by destroying them financially, emotionally, or severely damaging their health.
25. Vanish. If you are a key holder of secrets or otherwise overly illuminated and you think the heat is getting too hot, to avoid  the issues, vacate the kitchen. .

Note: There are other ways to attack truth, but these listed are the most common, and others are likely derivatives of these.